The Distancing-Embracing model of the enjoyment of negative emotions in art reception.

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作者： Winfried,Menninghaus ^[1] ; Valentin,Wagner ^[2] ; Julian,Hanich ^[3] ; Eugen,Wassiliwizky ^[4] ; Thomas,Jacobsen ^[5] ; Stefan,Koelsch ^[6]

作者单位： Department of Language and Literature,Max Planck Institute for Empirical Aesthetics,60322 Frankfurt am Main,Germany.w.m@aesthetics.mpg.de. ^[1] Department of Language and Literature,Max Planck Institute for Empirical Aesthetics,60322 Frankfurt am Main,Germany.valentin.wagner@aesthetics.mpg.de. ^[2] Department of Arts,Culture and Media,University of Groningen,9700 AB Groningen,The Netherlands.j.hanich@rug.nl. ^[3] Department of Language and Literature,Max Planck Institute for Empirical Aesthetics,60322 Frankfurt am Main,Germany.eugen.wassiliwizky@aesthetics.mpg.de. ^[4] Experimental Psychology Unit,Helmut Schmidt University/University of the Federal Armed Forces Hamburg,22043 Hamburg,Germany.jacobsen@hsu-hh.de. ^[5] University of Bergen,5020 Bergen,Norway.stefan.koelsch@uib.no. ^[6]

关键词 aesthetic enjoyment aesthetic virtues art schema genre effects interplays of positive and negative emotions meaning making mixed emotions